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http //www.oracle.com/sun/lje-oracle-sun-faq.pdf Transcript of an Interview with Larry Ellison by Reuters on the Acquisition of Sun Microsystems Part I May 7, 2009 Why does Oracle, a company that prides itself on highmargins, want to get into the low-margin hardware business? Are you going to exit the hardware business? No, we are definitely not going to exit the hardware business. While most hardware businesses are low-margin, companies like Apple and Cisco enjoy very high-margins because they do a good job of designing their hardware and software to work together. If a company designs both hardware and software, it can build much better systems than if they only design the software. That’s why Apple’s iPhone is so much better than Microsoft phones. OK, Apple and Cisco have proven that they can do it, but what experience does Oracle have designing hardware and software to work together? Oracle started designing hardware and software to work together a few years ago when we began our Exadata database machine development project. Some of our competitors, Teradata and Netezza for example, were delivering preconfigured hardware/ software systems, while we were just delivering software. The combination of hardware and software has significant performance advantages for data warehousing applications. We had to respond with our own hardware/software combination, the Exadata database machine. Oracle’s Exadata database machine runs data warehousing applications much faster—at least ten-times faster than Oracle software running on conventional hardware. All the hardware and software pieces, database to disk, are included. You just plug it in and go—no systems integration required. Alright, Oracle’s done integrated hardware and software design with the Exadata database machine. But Exadata uses standard Intel chips. Are you going to discontinue the SPARC chip? No. Once we own Sun we’re going to increase the investment in SPARC. We think designing our own chips is very, very important. Even Apple is designing its own chips these days. Right now, SPARC chips do some things better than Intel chips and vice-versa. For example, SPARC is much more energy efficient than Intel while delivering the same performance on a per socket basis. This is not just a green issue, it’s an economic issue. Today, database centers are paying as much for electricity to run their computers as they pay to buy their computers. SPARC machines are much less expensive to run than Intel machines. So is that your plan, to use SPARC to compete by lowering a data center’s electricity bills? No, our primary reason for designing our own chips is to build computers with the very best performance, reliability and security available in the market. Some system features work much better if they are implemented in silicon rather than software. Once we own Sun, we’ll be able to plan and synchronize new features from silicon to software, just like IBM and the other big system suppliers. We want to work with Fujitsu to design advanced features into the SPARC microprocessor aimed at improving Oracle database performance. In my opinion, this will enable SPARC Solaris open-system mainframes and servers to challenge IBM’s dominance in the data center. Sun was very successful for a very long time selling computer systems based on the SPARC chip and the Solaris operating system. Now, with the added power of integrated Oracle software, we think they can be again. Your management team has no experience with delivering hardware. There is a lot of risk in going into an unfamiliar business. Obviously, we want to hold on to Sun’s experienced team of first-rate hardware engineers. For years, Sun has led the industry in building and delivering innovative systems. For example, Sun was the first company to deliver systems built on a multicore processor—what Sun called the Niagara chip—and the industry followed. Oracle has a good track record of retaining the engineering talent from acquired companies; Sun will be no different. In addition, over the last couple of years Oracle gained a lot of experience developing and delivering our first integrated hardware and software system, the Exadata database machine. We have lots of hardware experience inside of Oracle. Hundreds 2 of Oracle’s engineers came from systems companies like IBM and HP. Even I started my Silicon Valley career working for a hardware company that worked with Fujitsu to design and build the first IBM compatible mainframe. OK, so you have engineers who are experienced at designing hardware as well as software, but Oracle outsourced the manufacturing of the Exadata machine to HP. You have no experience in manufacturing. Just because we’re buying Sun does not mean Oracle is becoming a manufacturer. Sun outsources almost all of its manufacturing to companies like Flextronics and Fujitsu. With one tiny exception, Sun does no manufacturing; neither will we. There has been a lot of speculation in the press that Oracle is going to sell some or all of Sun’s hardware businesses. From your previous answers it certainly seems like you are keeping the SPARC Solaris systems business. Are you keeping the disk storage and tape backup businesses? Yes, definitely. We believe the best user experience is when all the pieces in the system are engineered to work together. Disk storage and tape backup are critical components in highperformance, high-reliability, high-security database systems. So, we plan to design and deliver those pieces too. Clearly many Sun customers choose disk and tape systems from other vendors. That’s what open systems are all about providing customers with a choice. But Oracle expects to continue competing in both the disk and tape storage businesses after we buy Sun. Is Exadata moving to Sun SPARC Solaris? Exadata is built by HP using Intel microprocessors. We have no plans for a SPARC Solaris version of Exadata. We have an excellent relationship with HP that we expect to continue. The Exadata database machine delivers record setting database performance at a lower cost than conventional hardware. Customers love the machine. It is the most successful product introduction in Oracle’s 30 year history. The Sun acquisition doesn’t reduce our commitment to Exadata at all. Cautionary Statement Regarding Forward-Looking Statements This document contains certain forward-looking statements about Oracle and Sun, including statements that involve risks and uncertainties concerning Oracle’s proposed acquisition of Sun; plans for Sun’s hardware businesses (including the SPARC chip) upon completion of the proposed acquisition; estimates of future results of operations; anticipated customer, partner and product plans, advantages and benefits; retention of Sun’s engineers; and general business outlook. When used in this document, the words “anticipates”, “plans”, “estimates”, “may”, “can”, “want”, “will”, “believes”, “expects” or “expected”, “projects”, “intends”, “likely”, similar expressions and any other statements that are not historical facts are intended to identify those assertions as forward-looking statements. Any such statement may be influenced by a variety of factors, many of which are beyond the control of Oracle or Sun, that could cause actual outcomes and results to be materially different from those projected, described, expressed or implied in this document due to a number of risks and uncertainties. Potential risks and uncertainties include, among others, the possibility that the transaction will not close or that the closing may be delayed, the anticipated synergies of the combined companies may not be achieved after closing, the combined operations may not be successfully integrated in a timely manner, if at all, general economic conditions in regions in which either company does business, and the possibility that Oracle or Sun may be adversely affected by other economic, business, and/or competitive factors. Accordingly, no assurances can be given that any of the events anticipated by the forward-looking statements will transpire or occur, or if any of them do so, what impact they will have on the results of operations or financial condition of Oracle or Sun. In addition, please refer to the documents that Oracle and Sun, respectively, file with the Securities and Exchange Commission (the “SEC”) on Forms 10-K, 10-Q and 8-K. These filings identify and address other important factors that could cause Oracle’s and Sun’s respective financial and operational results to differ materially from those contained in the forward-looking statements set forth in this document. You are cautioned to not place undue reliance on forward-looking statements, which speak only as of the date of this document. Neither Oracle nor Sun is under any duty to update any of the information in this document. Additional Information about the Merger and Where to Find It In connection with the proposed merger, Sun will file a proxy statement with the SEC. Additionally, Sun and Oracle will file other relevant materials in connection with the proposed acquisition of Sun by Oracle pursuant to the terms of an Agreement and Plan of Merger by and among Oracle, Soda Acquisition Corporation, a wholly-owned subsidiary of Oracle, and Sun. The materials to be filed by Sun with the SEC may be obtained free of charge at the SEC’s web site at www.sec.gov. Investors and security holders of Sun are urged to read the proxy statement and the other relevant materials when they become available before making any voting or investment decision with respect to the proposed merger because they will contain important information about the merger and the parties to the merger. Oracle, Sun and their respective directors, executive officers and other members of its management and employees, under SEC rules, may be deemed to be participants in the solicitation of proxies of Sun stockholders in connection with the proposed merger. Investors and security holders may obtain more detailed information regarding the names, affiliations and interests of certain of Oracle’s executive officers and directors in the solicitation by reading Oracle’s most recent Form 10-K and other relevant materials filed with the SEC when they become available. Information concerning the interests of Sun’s participants in the solicitation, which may, in some cases, be different than those of Sun’s stockholders generally, is set forth in the materials filed with the SEC on Form 10-K and will be set forth in the proxy statement relating to the merger when it becomes available. This document is intended for information purposes only and may not be incorporated into any contract. It is not a commitment to deliver any material, code, or functionality, and should not be relied upon in making purchasing decisions. The development, release, and timing of any features or functionality described for Oracle’s products remains at the sole discretion of Oracle. Copyright © 2009, Oracle and/or its affiliates. All rights reserved. Oracle is a registered trademark of Oracle Corporation and/or its affiliates. Other names may be trademarks of their respective owners. 09025090
https://w.atwiki.jp/chiita/pages/417.html
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https://w.atwiki.jp/vocalive/pages/27.html
このページ名（Name of this Page）→【ライブ技術一覧/2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert】 Technology for the Vocaloid Handmade Live Concert and Event ライブ技術一覧 メニューMENU 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert ライブ技術一覧/2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert Project MMD Live and 39diyMMDConcert TECH/Oversea/Project MMD Live+39diyMMDConcert USA Life-Size Miku Performs Koi Suru VOC@LOID in My House! （等身大のミクさんが家にやって来た！） （等身大のミクさんが、家に来て恋するVOC@LOIDを歌ってくれた！） http //www.youtube.com/watch?v=eL36nf26djo Screen （スクリーンの作り方）? a large scrim mesh is suspended across a metal pipe （大きなスクリムメッシュを、金属パイプの枠に張った） material of scrim 素材は? Mesh number # or Mesh size ? exact product number of scrim mesh ? a full-horizontal-range-life-size-projection system Projection from rear (背面からのプロジェクター投影） Credits Song Koi Suru VOC@LOID CG Model Animation SEGA Animation source ripped, cropped, converted, positioned, tweaked, adjusted, exported, uploaded, and sent by xtokashx (A BIG THANK YOU TO YOU! if you are reading this) Animation from the MikuNoPolis Blu-ray disc credits ~ you knew I would do something with it, but did you expect this ;) Inspired by the video from AOKI_KC （ミクさん召喚対決！ディラッドスクリーン vs アミッド・スクリーン） http //www.youtube.com/watch?v=ZCYJu7KSqQM Scrim by www.mosquitocurtains.com scrim（スクリム）の意味 1 綿または亜麻の目の粗いカーテン用織物.家具の裏張り・カーテン用など、（スクリム ） 2 (米)演劇紗幕(しゃまく)、(舞台で用いる)紗(しや)の(背景)幕。 Mosquito Curtains http //www.youtube.com/watch?v=MnfoF_97ad8 http //www.mosquitocurtains.com/1-screen-porch-learn/1-intro-screen-porch-DVI.html Mesh Fabric Comparison Table Reference VOC@LOID In Love - 2011 MIKUNOPOLIS in Los Angeles End Credits http //www.youtube.com/watch?v=ieym3n6av5g Project MMD Live (PV) http //projectmmdlive.webs.com/ MMD LIVE by 39diyMMDConcert The Original Holographic VOCALOID Concert in Miniature http //39diymmdconcert.webs.com/ YouTube Channel 39diyMMDConcert http //www.youtube.com/user/39diyMMDConcert "MMD LIVE" is a homemade project that attempts to recreate the feel of a live VOCALOID concert on a small scale. Using holographic-illusion (Pepper s Ghost) technology, MMD models appear to move in 3D space on a miniature stage without the need for a projector. 日本語翻訳 (Japanese Translation) Project MMD Live, AniMiku and Life-Size Miku Performance アメリカ人学生が製作した3D映写システム「MMD LIVE」が力作すぐる件 http //vocaloid.blog120.fc2.com/blog-entry-10653.html ミクノポリスの3Dミクさんを自宅で再現した動画が凄い http //otanews.livedoor.biz/archives/51852063.html Vocalekt Visions LIVE/海外/Vocaloid Concerts of Vocalekt Visions Please find the separate page for Synthesized Reality Productions SRP in this Wiki. LIVE/海外/Vocaloid Concerts of Synthesized Reality Productions SRP [AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku http //www.youtube.com/watch?v=uIpT1kRSmPo Vocaloid MMD Live starts after 20min. Vocalekt Visions after 34min, Staff introduction around 48min Vocalekt Visions is the most active western VOCALOID producer team in USA. http //www.vocalektvisions.com/ Vocalekt Visions’ News http //web.me.com/tempo_p/Vocalekt_Visions/News/News.html Message http //web.me.com/tempo_p/Vocalekt_Visions/Message.html 主催のVocalekt Visionsから協力スタッフ等を募集 http //web.me.com/tempo_p/Vocalekt_Visions/Message.html Parallel World [Hatsune Miku] [Kagamine Rin] [Gumi] [SF-A2 Miki] [Original Vocaloid Song] http //www.youtube.com/watch?feature=player_embedded v=yXcdMWAHM7Y 藤本健の“DTMステーション” ボカロ曲をアメリカとルーマニアで合作するVOCALECT VISIONS http //www.dtmstation.com/archives/51859052.html English Article Vocalekt Visions http //www.mikustar.com/Vocalekt_Visions.html Vocalekt Visions at Anime LA 2012 (sound fixed) http //www.youtube.com/watch?v=hklEpmiRIN8 http //www.youtube.com/watch?v=tlpfusmbAvo (Original Recording ?) Songs presented 1) "Bring back your smile" - Gumi and Gakupo (motion under development) 2) "Overseas Travel" - Gumi 3) "Lemon Ice Bar" - Miku 4) "Headline Love" - Sweet Ann and Big Al (Koda-P) Vocalekt Visions presents Hatsune Miku and other Vocaloids at Anime LA on 2012-01-08. Vocalekt Visions is the largest western Vocaloid music-producing company and is quickly rising in popularity among western Vocaloid fans. With numerous connections to other Vocaloid professionals, Vocalekt Visions plans to expand its presence by producing fan-made Vocaloid concerts outside of Japan. Hear from host Holo the Wise, special guest Koda-P - the famous Engloid producer, and Tempo-P of Vocalekt Visions. Please visit their website for more original Vocaloid songs, and be sure to like and subscribe Vocalekt Visions! Credits 39diyMMDConcert (Shinji) film team Vocalekt Visions - neutrinoP and Tempo-P - http //www.vocalektvisions.com Host - Holo the Wise (James) Special Guest - Koda-P Animation AniMiku (Re VB) http //animiku.net MMD Animations by 1FNPony Dregorin Keeprefrigeratedful Raiku-P Choreographies by Myokuju Holo the Wise Yukie Dong Original video http //www.youtube.com/watch?v=tlpfusmbAvo ENJOY ^^ Materials to make Screen? 13 10secのところで、やや茶色い布が少し見える 映りこみなし。シーツ,。背面投影 neutrinoP s Vocaloid channel http //www.youtube.com/user/neutrino006 Vocalekt Visions official channel - Tempo-P and neutrinoP http //www.youtube.com/user/TempRecord/featured http //www.youtube.com/user/TempRecord/playlists Vocalekt Visions songs http //www.youtube.com/playlist?list=PL0B7F4958AAC860DA LA手作りライブの、左側の出演者のTempo-Pさんは 自分たちで作曲して投影ライブやってたらしい 【レモンアイスバー】ミクオリジナル曲 【初音ミク】 Tempo-P (Vocalekt Visions) http //www.nicovideo.jp/watch/sm14987729 （詳細リンク集有） http //www.youtube.com/watch?v=sLQWs7zFL8Y Lemon Ice Bar at PMX 2011 http //www.youtube.com/watch?v=sDWa-aU0XKc Tempo-P USA s vocaloid user in LA 30min http //www.youtube.com/user/TempRecord Amazon Tuned in the West Tempo-P NeutrinoP Anime Los Angeles Band Schedule 2012 http //www.animelosangeles.org/wp/2011/concerts-2/ Anime Los Angeles （紹介 日本語訳） http //www.bunkaextend.com/ala12_01.html Synthesized Reality Productions (SRP) Please find the separate page for Vocalekt Visions in this Wiki. LIVE/海外/Vocaloid Concerts of Vocalekt Visions Authorized FAN MADE SRP VOCALOID Concert at KamiCon 2014 http //www.youtube.com/watch?v=saCch6DjIOo Synthesized Reality Productions (SRP) http //synthreality.com/ http //synthreality.com/about/ [After Tempo left Vocalekt Visions, Wolf Neve set out to find a new group wanting to focus on live VOCALOID shows. Now, with NeutrinoP, Alfred, EmpathP, Apparatus and RuchiiP, the team has one goal – to keep the bar set high and try to put on the best show possible. Our dream is to make live concerts for VOCALOID all over the world. With us and all of you, we can make this dream come true!] Recent Events Lists http //synthreality.com/shows/ Miku USA http //vocaloidotaku.net/index.php?/topic/21866-animiku-and-mikusa-release/ AniMiku A VOCALOID Concert Animation System Designed and Coded by Re VB (ページ作成中) http //www.animiku.net/ Download AniMiku http //www.animiku.net/cms/download-animiku AniMiku Exhibition http //animiku.com/cms/exhibition http //www.animiku.net/cms/node/3 http //animiku.com/cms/tools AniMiku Non-Exhibition AniMiku Exhibition AniMiku blog (from New York) http //www.animiku.net/cms/blog-2/ AniMiku VOCALOID Concert Live at Tora-Con 2013 http //www.youtube.com/watch?v=fB9hWyaEkGc Blog-AniMiku and Vocalekt Visions at AnimeLA 2012 http //www.animiku.net/cms/blog-2/animiku-and-vocalekt-visions-at-animela-2012/ AniMiku - VOCALOID Concert Animation System Software Overview Demonstration http //www.youtube.com/watch?v=fIkZBY90n8o New AniMiku Version 3.9 Release Beta Preview http //www.youtube.com/watch?v=okPvBMF3BRA 「Feature Explanation Controllable lighting effects You would be able to control the light s position, color, and brightness Light Source/Glow Mode Parts of the model can be configured to be light sources or to glow. This way, when the main virtual light is dimmed or turned off, these parts of the model will stay lit (for example, the lights on Miku s armbands and skirts). This effect was used in the 39 s concerts. Animated Textures You would be able to load the model in an editor, and load multiple images that will act as frames for the animation (similar to an animated GIF, except higher quality), set the frame delay, and these textures will be animated by the renderer in real-time Transition Effects Currently the transition effect is a fade in or out. Possibly in the future I may add other effects Soft Shadows/Self Shadow The program will render realistic shadows on the model, improving the 3D effect」 AniMiku and MikUSA Release AniMiku - Hatsune Miku Full Scale Holographic Performance of 1/6! http //www.youtube.com/watch?v=k-WgZQgzWx0 AniMiku Live Hatsune Miku Concert at Tora-Con 2012 Official Video http //www.youtube.com/watch?v=9F2c4YrvzQs AniMiku Live Concert at Tora-Con Mascot Development of AniMiku "Ani-Chan" (マスコットキャラの作成と育成） http //akiglancy.deviantart.com/art/Ani-chan-369093012 Mascot of Animiku made by Aki Glancy http //akiglancy.deviantart.com/ MMD Development of "Ani-Chan" Model MMD Ani-Chan Release Mascot of Animiku MMD made by Digitrevx. http //digitrevx.deviantart.com/ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //digitrevx.deviantart.com/art/MMD-Ani-Chan-Release-Mascot-of-Animiku-386682659?q=gallery%3ADigitrevx%2F42498145 qo=1 Link to download page of AniMiku "Ani-Chan" http //www.animiku.com/cms/about/ani-chan [MMD] Remote control feat. Racing Miku, and Ani-chan http //www.youtube.com/watch?v=fQQWLo29Stw [MMD] Ani-Chan - [Animiku] - Sweet Devil http //www.youtube.com/watch?v=_sAlKlcn-04 Introduction of Project MMD LIVE technology （Project MMD LIVE の技術説明概要） YouTube Channel 39diyMMDConcert (Project MMD Live) http //www.youtube.com/user/39diyMMDConcert/ What Is MMD LIVE? "MMD LIVE" is a homemade project that attempts to recreate the feel of a live VOCALOID concert on a small scale. Using holographic-illusion (Pepper s Ghost) technology, MMD models appear to move in 3D space on a miniature stage without the need for a projector. What s the point of this project? The goal of the MMD LIVE project is to demonstrate an alternate technology that could be used for live Vocaloid concerts. Due to resource and budget limitations, I was not able build a life-sized version of this project. However, it can be done and the same technology I used for this project can be used for Miku s concerts. This would solve 3 problems 1 - Elimination of the glow stick reflections on the screen 2 - Even illumination across the entire area - Miku does not fade as she moves horizontally 3 - Elimination of projector light obscuring parts of Miku How it Works Optical superimposition of virtual images - a technique known as Pepper s Ghost which has been modernized in the Musion Eyeliner system. What is holographic-illusion (Pepper s Ghost) Effect? ペッパーズ・ゴーストの説明： wikipedia Pepper's Ghost Effect (wikipedia) Pepper s Ghost Effect（ペッパーズ・ゴーストを発生させる構造説明の動画） http //www.youtube.com/watch?v=kMCVqqUzfyQ Peppers Ghost Illusion Tutorial http //www.youtube.com/watch?v=xCYWEwtrxAk What is Musion Eyeliner system? AV Concepts Musion Eyeliner http //www.youtube.com/watch?v=pkarjAr4hsM Musion Eyeliner Holographic Projection Setup http //www.youtube.com/watch?v=HtVcN0q-A08 Musion Eyeliner Hologram by - info@rocknano.com http //www.youtube.com/watch?v=HX0-z7mMXV0 Gorillaz Hologram MTV Awards - Created by Musion Eyeliner http //www.myspace.com/video/musion-eyeliner/gorillaz-hologram-mtv-awards-created-by-musion-eyeliner/12205161 Project MMD Live (PV) http //projectmmdlive.webs.com/ MMD LIVE by 39diyMMDConcert The Original Holographic VOCALOID Concert in Miniature http //39diymmdconcert.webs.com/ FaceBook-Project MMD LIVE http //www.facebook.com/pages/Project-MMD-LIVE/357988107550896?sk=wall Video Gallery http //39diymmdconcert.webs.com/apps/videos/ The Set List of MMD LIVE http //39diymmdconcert.webs.com/setlist.htm Photo Gallery of Project MMD Live (View as Slideshow、写真、スライドショーで見る） http //projectmmdlive.webs.com/apps/photos/ Pictures of the MMD LIVE miniature concert stage by 39diyMMDConcert Making MMD LIVE miniature concert stage（MMD LIVEの作成風景写真） http //39diymmdconcert.webs.com/apps/photos/album?albumid=12655770 Pictures of the MMD LIVE miniature concert（ミニチュアライブの写真） http //projectmmdlive.webs.com/apps/photos/album?albumid=12677965 日本語翻訳 (Japanese Translation) Project MMD Live, AniMiku and Life-Size Miku Performance アメリカ人学生が製作した3D映写システム「MMD LIVE」が力作すぐる件 http //vocaloid.blog120.fc2.com/blog-entry-10653.html ミクノポリスの3Dミクさんを自宅で再現した動画が凄い http //otanews.livedoor.biz/archives/51852063.html 作ってみた業社さんが「半透明スクリーン」を作ってしまったらしい件 http //vocaloid.blog120.fc2.com/blog-entry-5671.html http //www.youtube.com/watch?v=YmTXICpWgc0 【立体映像】ミクさんが透明スクリーンから出てきてくれました。ver1.03 【立体映像】ミクさんが透明スクリーンから出てきてくれましたver1.03 http //www.nicovideo.jp/watch/sm16322269 導入編 http //www.nicovideo.jp/watch/sm15744982 科学と財布の限界を超え、初音ミクを“3次元”に http //ascii.jp/elem/000/000/651/651624/ polyphonicskies.net http //www.polyphonicskies.net/index.html FVP-Project Aono.Y http //twitter.com/Aono_Y 裸眼3Dミクさん ピタゴラ装置的なMMDモデルが配布されているらしい件 http //vocaloid.blog120.fc2.com/blog-entry-10626.html 【ハコあに】 Hako-Ani 横からも見れる反射式透過スクリーン http //www.youtube.com/watch?v=y8g8seGcEcM 初音ミクを自宅に召喚してみた【ハコあに】 出た！立体視ディスプレイ「ハコあに」の店頭デモに「結月ゆかり」が起用 http //vocaloid.blog120.fc2.com/blog-entry-12534.html Hako-ani 東北ずん子の『３Ｄディスプレイを使った動くフィギュア』【ハコあに】 http //www.youtube.com/watch?v=9UeFPZL0PRw ３Ｄディスプレイの「ハコあに」をつかった、東北ずん子の動画。 『ハコあに』とは「３Ｄディスプレイを使った動くフィギュア」 いろいろな方向からキャラクターを見ることが出来る。 ３Ｄディスプレイは、ＳＳＳ LLCが企画、ALBEDOが製造を行っている。 バーチャルアイドルを立体投映できる家庭用装置「ハコあに」 http //gadget.itmedia.co.jp/gg/articles/1207/27/news058.html 展示会などで使われる業務用の立体映像装置を小型化した。従来の装置は大型のプロジェクタを使っていたが、ハコあにはタブレットの映像を投映してバーチャルアイドルの立体映像を映す。ハーフミラー方式だが、特殊加工した高価なフィルムを使うことで透明度が高く、映像のゆがみもないという。 【MMD】ミクをハコに入れるための動画【らぶ式】 http //www.nicovideo.jp/watch/sm23506136 【MMD】ハコビジョン入り娘【らぶ式】 http //www.nicovideo.jp/watch/sm23506119 ピラミッド型透過スクリーンの解説画像 http //www.youtube.com/watch?v=uhjDs4ZcBsQ 立体視ディスプレイを作ってみた TECH/日本/Hatsune Miku Hako Vision (Box Vision) Production Projection Mapping プロジェクションマッピング入門 Projection Mapping Wikipedia プロジェクションマッピング Wikipedia 2.プロジェクションマッピング入門～理論・制作手順・機材～ http //www.sugawara.ac.jp/digital/blog/projection-mapping-semi-top/02-princeple ピラミッド型反射式透過スクリーンの透過率が高い方 acrylic board 立体投映のPVC・初音ミク Tda式Ver http //www.nicovideo.jp/watch/sm19947739 暗くするのがコツ：2min 30sec アクリル板 厚1mm MMDAgentを応用したピラミッド型透過スクリーン (kinect)霊夢の実体化計画-インターアクション http //www.nicovideo.jp/watch/sm19980305 acrylic resin アクリル (wikipedia) 【フォグスクリーン】Mist screen http //www.nicovideo.jp/watch/sm19735088 【フォグスクリーン】映像投影可能な加湿器を作ってみた http //www.nicovideo.jp/watch/sm19831829 裏表から見られるプロジェクター投射システム http //www.youtube.com/watch?v=R57Ph8GLUTM ポリッドスクリーン kinect,headtracking,ポリッドスクリーンを用いて 裏表から見られるプロジェクター投射システム作ってみました。 裏から見ても表から見ても反転してません。 ヘッドトラッキングも行なっているので3Dキャラの背中も見ることができます。 http //www.nicovideo.jp/watch/sm20202950 【BUMP OF CHICKEN feat. HATSUNE MIKU「ray」】 https //www.youtube.com/watch?v=yT_ylSCgY6Q ついに公開！ BUMP OF CHICKEN×初音ミクの最新技術によるMVが話題 http //kai-you.net/article/3892 映像を手がけているのは、初音ミクによるオペラ「THE END」のプロデュースを手掛けたクリエイティブプロダクション・A4Aの東市篤憲さん。 初音ミク開発元であるクリプトン・フューチャー・メディア社による完全監修のもと、「14（イチヨン）モデル」という最新の3DCGモデルの初音ミクを制作。 同社の開発したスクリーン素材、センサー制御、トラッキング設計、同期システム、リアルタイムアニメーション技術などの最新テクノロジーによって、CG合成ではなく、BUMP OF CHICKENと初音ミクが同じ空間に立ち、撮影に挑むという世界初の「リアルタイムでの共演」を可能にしている。 【YouTube】初音ミク・ドキュメンタリー 技術編公開！BUMP OF CHICKEN コラボMV実現の裏側に迫る！ http //blog.piapro.net/2014/03/youtube-bump-of-chicken-mv.html http //www.crypton.co.jp/cfm/news/2014/03/ray http //blog.piapro.net/2014/03/youtube-bump-of-chicken-feat-h.html 【初音ミク】39ch 特別編 BUMP OF CHICKEN feat. HATSUNE MIKU 「ray」 http //www.youtube.com/watch?v=43hxfj5RFCk ユニティ 【Hatsune Miku】初音ミク ドキュメンタリー テクノロジー編 / 39ch Documentary Technology 【初音ミク】 http //www.youtube.com/watch?v=m0N9szI19BA カメラの横にセンサー(複数)を付けている。センサーと同期させている The synchronization of censors of the camera 円筒形のスクリーンの中心にWiFiの親機の中心がある。 In the middle of sylinder shaped screen, a parent WiFi station was placed. CGの原点位置情報が、リアルタイムで移動する。 3軸の加速度センサーと3軸のジャイロセンサーを組み合わせた、6軸のセンサーを使用。 combination of 3-axis accelerometer censors and 3-axis gyro sensors. ジャイロセンサーは、スタジオ内の磁気ノイズが入るため、手でシールドを行った。 別府Trans City feat. Hatsune Miku]のスカイライトシアターの技術を利用。 全天周360度スクリーン。 プリジェクターの台数は多い。Several numbers of projectors were used. イーハトーヴ仕様円筒形スクリーンを土台にした。 分厚いと円筒形にスクリーンを巻けないため、厚みを調整した。 Modification of thickness of the screen is required to make the sylinder shaped screen. 同期システム synchronization system How to synchronize several PC and videos. (free soft) フリーソフトを使って複数PCで同期再生する方法 http //www.nicovideo.jp/watch/sm22615641 同期操作ソフト「SameKm」のダウンロードは↓こちらからどうぞ http //www.vector.co.jp/soft/winnt/util/se486415.html 3Dゲームファンのための「バーチャファイター5」グラフィックス講座 PCベースのアーケードシステムで実現される至極のリアルタイム3Dグラフィックスの秘密 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. 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【登録タグ R ほおずきみたいに紅い魂 天宮みや 少女フラクタル 月まで飛び跳ねて 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Augmented Analytics (AR) Market Growth, Segments Of The Tech World, Key Vendors, COVID – 19 Industry Trends, Opportunity and Forecast 2027, Market Research Future Market Analysis The market for Augmented Analytics (AR) Market Growth is estimated to grow at a significant rate during the forecast period 2020 to 2027. Augmented analytics tools are utilized for analyzing automated data with the support of natural language processing technology and machine learning techniques. It helps in streamlining the process of data modeling and data profiling thus supporting reuse and data governance. The Augmented Analytics (AR) Market Growth is predicted to touch USD 13 billion at a stellar 24% CAGR between 2020- 2027, states the recent Market Research Future (MRFR) analysis. Various factors are fuelling the global augmented analytics market share. As per the recent MRFR market estimates, such factors include the increasing volume of complex data, growing adoption of analytical tools for business intelligence, development of artificial intelligence technology, development in blockchain and modernization of digital technology, increasing need for intelligent business tools in data analysis, growing need for increased productivity of business processes, and increasing implementation of natural language processing tools, machine learning, and artificial intelligence. On the contrary, lack of skilled workforce, high cost of analytical tools, impact of the COVID-19 pandemic on the global economy, and analyzing the huge generated data by maintaining safety and quality may impede the global augmented analytics market growth over the forecast period. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7464 Market Segmentation The MRFR report throws light on an inclusive segmental analysis of the global augmented analytics market based on vertical, organization size, deployment mode, and component. By component, the global augmented analytics market is segmented into services and software. The services segment is again bifurcated into managed services and professional services. Of these, the service segment will lead the market over the forecast period. By deployment, the global augmented analytics market is segmented into hybrid, on-cloud, and on-premise. Of these, the on-cloud segment will dominate the market over the forecast period. By organization size, the global augmented analytics market is segmented into large enterprises and SMEs. Of these, the SMEs will spearhead the market over the forecast period. By vertical, the global augmented analytics market is segmented into healthcare, media and entertainment, transportation, energy and utilities, manufacturing, retail, IT and telecommunication, government and defense, BFSI, and others. Of these, BFSI will have the lions share over the forecast period. Regional Analysis By region, the global augmented analytics market covers the recent trends and growth opportunity across North America, Europe, the Asia Pacific (APAC), and Rest of the World (RoW). Of these, North America will rule the market over the forecast period. Presence of key players in the US, technically advanced infrastructure, high technical expertise in technology like machine learning and natural language processing, widespread customer base in various industry verticals, adoption of advanced analytics to improve business operations, rapid adoption of technologies, and focus by companies to improve their data analysis capabilities are adding to the global augmented analytics market growth in the region. In Europe, the global augmented analytics market is predicted to hold the second-largest share over the forecast period. Developing digital technology, increasing need for augmented analytics solutions for business intelligence, and high growth in retail and consumer goods industry are adding to the global augmented analytics market growth in the region. In the APAC region, the global augmented analytics market is predicted to have promising growth over the forecast period. Development in digital technology, increasing expertise in machine learning and natural language processing techniques, development in big data analytics and artificial technology, increasing implementation of data discovery, self-service business intelligence tools, and visualization across business organizations are adding to the global augmented analytics market growth in the region. Japan, China, and India hold the utmost market share. Key Players The leading players profiled in the global augmented analytics market report include Birst, Pyramid Analytics, Logi Analytics, Board International, Yellowfin, Looker, MicroStrategy, Qlik, Sisense, Tibco Software, SAS, Tableau Software, Oracle, Microsoft Corporation, IBM Corporation, SAP SE, and Salesforce. Industry Updates April 2021- Subex has launched hypersense, an end-to-end augmented analytics platform. Browse Complete Report @ https //www.marketresearchfuture.com/reports/augmented-analytics-market-7464 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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Fatal Inertia 項目数 50 総ポイント 1000 難易度：★★★☆☆ 操作がフラフラする上にクラッシュのペナルティが甚大なので、難しいと感じる人が多いかもしれない。またライバル機との接触や攻撃等も馬鹿にならないので、技術だけではカバーしきれない場面もある。しかし、実績内容は順当なものが多く、操作感に慣れればそれほど苦労せずに解除できると思われる。 ということで、根気がある人には★-1。 なお、画面分割プレイによる実績があるのでコントローラが2個必要。 Fatal Inertia wiki - livedoor Wiki（ウィキ） http //w.livedoor.jp/fatalinertia/ Opening Series Gold Opening Seriesで1位獲得 10 Combat Series Gold Combat Seriesで1位獲得 10 Speed Series Gold Speed Seriesで1位獲得 10 Opening Series II Gold Opening Series IIで1位獲得 20 Nightfall Series Gold Nightfall Seriesで1位獲得 20 Speed Series II Gold Speed Series IIで1位獲得 20 Survival Series Gold Survival Seriesで1位獲得 20 Armageddon Series Gold Armageddon Seriesで1位獲得 20 Opening Series III Gold Opening Series IIIで1位獲得 30 Scramble Series Gold Scramble Seriesで1位獲得 30 Nightfall Series II Gold Nightfall Series IIで1位獲得 30 Hurricane Series Gold Hurricane Seriesで1位獲得 30 Speed Series III Gold Speed Series IIIで1位獲得 30 Driving Series Gold Driving Seriesで1位獲得 30 Armageddon Series II Gold Armageddon Series IIで1位獲得 30 World Championship Gold World Championship Seriesで1位獲得 30 Mercury Master Mercury classを使用して10勝達成 10 Phoenix Master Phoenix classを使用して10勝を達成 10 Aurora Master Aurora classを使用して10勝達成 10 Titan Master Titan classを使用して10勝達成 10 Combat Race Master Combat Raceで20勝達成 20 Velocity Master Velocityで20勝達成 20 Magnet Mayhem Master Magnet Mayhemで20勝達成 20 Knockout Master Knockoutで20勝達成 20 50 Wins 50勝を達成 20 100 Wins 100勝を達成 30 200 Wins 200勝を達成 40 600 Combat Points １レース内で600 Combat points以上を獲得 10 1000 Combat Points １レース内で1000 Combat points以上を獲得 20 Try All Tracks 全てのコースを走破（51コース） 30 Remove Magnets ブレーキブーストで1度に10個のマグネットを取り除くことに成功 10 Remove Rockets ブレーキブーストでロケットを取り除くことに成功 10 Perfect Start ブレーキブーストで完璧なスタートダッシュに成功 10 Remove Weapons By Rolling ローリングで武器を取り除くことに成功 10 Connect 2 Opponents 1本のケーブルで2機の敵機をつなぐ 10 Cable Master Cableで敵機を地面につなぐ 10 Speed Demon 750 km/h (469 mph) 以上の速度で飛行（Time Dilatorを使用せずに） 10 Destroy An Opponent レース中に敵機1機を破壊 10 50 Second Time Trial Time Trialで1レースを50秒以内で完走 10 Smokescreen Master 7機の敵機全てをSmoke Bombで包み込む 20 Show-off 7機の敵機全てを周回遅れにする 20 Velocity Au Naturel Velocityで武器を全く使わずに勝利 20 Speed Demon II 900 km/h (563 mph)以上の速度で飛行（Time Dilatorを使用せずに） 20 Destroyer 1レース中に3機の敵機を破壊 20 36 Second Time Trial Time Trialで1レースを36秒以内で完走 20 Destroyer Champion 1レース中に7機の敵機を破壊 40 Perfect Winner Career Modeの全てのSeriesで40 points獲得 40 I m Better Than You 2-Player Quick Raceで勝利 10 Xbox LIVE Winner Xbox LIVEで勝利 20 Xbox LIVE Master Xbox LIVEで50勝達成 40 オフライン実績はSeries Gold系と「Perfect Winner」以外は全てクイックレースでも解除可能。クイックレースではレース後リトライを選択しても勝利数はカウントされる。 オンライン実績は自分でプライベートでホストを立ててCPU相手に一人でレースをしても解除可能。ただし、オンラインのCPU機はかなり速いので、Career Modeをある程度進めないと勝つのは難しい。 なお、オンラインでの勝利数も各種○○勝実績にカウントされる模様。 「○○勝」というのはレースで1位を取ること。シリーズ総合で1位を取ってもカウントされない。 Remove Rockets / Perfect Start / Remove Weapons By Rolling / Connect 2 Opponents / Cable Master トレーニングで簡単に解除できる。 Smokescreen Master 運次第。Combat Raceで先頭に出て屁こきまくってたら解除されました。ダメだったらコースによってアイテムの内容が偏っている気がするのでコースを変えてみるといいかも。 Velocity Au Naturel / Speed Demon / Speed Demon II / Show-off / 50 Second Time Trial Career Modeを進めてより高性能なエンジンを入手してから挑戦すれば容易に解除できる。 Destroy An Opponent / Destroyer / Destroyer Champion Magnet MayhemでTitanクラス使用がおすすめ。 基本は最大数まで溜めてから1機に集中砲火。無闇にばら撒かずに同じ機体を執拗に攻撃し続けた方が効率がいい。 なお、プレイヤーの攻撃で破壊しないとカウントされないようなので、「Destroyer Champion」を解除するには全機をプレイヤーが破壊しなければならない。ライバル機の耐久力等を考慮して攻撃する順番を変えると良いだろう。 ちなみに、「Destroyer Champion」を解除する頃には「600 Combat Points」と恐らく「1000 Combat Points」も解除されている。 「Destroyer Champion」を解除する事で手に入るWingはWingの中でも最高の性能を持っているので手に入れればCareer Modeを進める助けになる。 Try All Tracks 走破=レコードが記録されるまで周回を走りぬくこと。レースのモードは問わない。Caleer Modeだけでは全てのコースを走破できないので注意。 またKnock outしてしまったレースではレコードが記録されないため走破扱いにはならない、その場合はQicke RaceのTime Trialで焦らずに走ろう。 Perfect Winner Career Modeの全てのシリーズの全てのレースで1位を取るという実績だが、基本的に高性能な機体パーツを入手してから再挑戦すれば楽に勝てるので、Career Modeを最後まで進められる程度のスキルがあれば意外に簡単に解除できる。 ちなみに、World Championship Seriesの2番目以降のコースにはコース外へ大きくダイブすることで可能な反則的なショートカットがあるので有効活用すると良い。ショートカットの場所はレース中に左下に表示されるマップを見ればすぐに見つかるだろう。 36 Second Time Trial 要求スキルが一番高い実績。加えてかなり性能の高いパーツが必要。難しいがTime Trialなのでライバル機やアイテムが無く、純粋に技術だけが要求されるので根気良く挑み続けていればそのうち解除できる。 Auroraクラスに高性能なパーツを載せてLost CanyonのCircuit2がおすすめ。 ちなみに私の場合は機体Aurora、エンジン108、ブレーキFN3、ボディLight、ウィングA3M3使用で35.8秒でした。 【その他参考動画】 http //www.nicovideo.jp/watch/sm1061705 http //jp.youtube.com/watch?v=oXLfAMpdlQU （上記の転載）
https://w.atwiki.jp/mrfrtech/pages/56.html
Market Overview The Business Analytics Industry is projected to grow at a substantial CAGR during the forecast period. As per the business analytics market research report, the global market for business analytics is projected to grow swiftly. According to analysts, the enormous volumes of digital data as well as continuous developments in business analytics tools will drive the market growth during the forecast period. The business analytics market research report offers a comprehensive analysis of the global business analytics market and its application, end-user, industry, service, software, deployment, and region segments. The lack of awareness along with reluctance in adoption are the elements that could influence the business analytics market advancement throughout the forecast period. The business analytics market research report by expert analysts is developed to assist organizations in the business analytics market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6698 Competitive Analysis Availability of active marketplaces and lucrative offerings by platforms are presumed to drive the business analytics market growth worldwide. The global business analytics market could be challenged by the high cost of storage solutions, nevertheless, organizations in the business analytics market will carry the growth rate forward. The business analytics market research report presents company profiles of major companies active in the business analytics market globally. Furthermore, the global business analytics market report offers an all-inclusive analysis of the market collected from the business analytics market’s primary and secondary sources covering both decision makers and thought leaders. The business analytics market research report highlights such key areas assisting businesses operating in the business analytics market to build better growth strategies. Segmental Overview The global business analytics market has been segmented based on application, end-user, industry, service, software, deployment, and region. Based on deployment, the market for business analytics is segmented based on on-cloud and on-premises. Additionally, the market based on end-user, is segmented into BFSI, education, energy and power, government, healthcare, manufacturing, media and entertainment, retail, telecom, and IT, and other. The global market for business analytics is also covered based on industry segments which is further split into data mining, marketing analytics, supply chain analytics, finance analytics, and others. Based on software, the market for business analytics is segmented based on content analytics, corporate performance management suites, data discovery and visualization software, data warehousing platform, location intelligence, advanced and predictive analytics, and others. Major elements such as continued storage of data could obstruct the business analytics market growth. However, according to the business analytics market research report, the rise of smart data discovery capabilities along with an increase in investments across different industry areas will propel growth throughout the forecast period. The business analytics market is set to register growth at a high CAGR owing to these key factors. The exploration of application, end-user, industry, service, software, deployment, and region segments along with regional markets has been given in the global business analytics market research report. The research analysts studying the business analytics market have put out market forecasts in the business analytics market research report in order to support business analytics market-based companies. The business analytics market research report provides an extensive understanding of the business analytics market based on the information and forecasts till 2023. Regional Analysis North America, Europe, Asia Pacific and the rest of the world regional market for business analytics are predominantly covered in the global business analytics market research report. Country-level business analytics markets spread across North America – the United States, Canada, and Mexico are also covered in the report. In South America – Brazil and other country-level business analytics markets are covered in the report. In Asia-Pacific (APAC) region, the country-level business analytics markets covered are Japan, India, China, and others. The business analytics market research report also explores the regional market for business analytics present in Europe in the United Kingdom, France, Italy, Spain, and Germany, etc. The business analytics market research report also covers regional markets from the rest of the world alongside business analytics markets of Africa and the Middle East. Industry News The flagship Viya artificial intelligence, analytical and data processing platform is now available as a cloud-based, cloud-based carrier, which runs on Azure Cloud Platform, integrated with Azure S services. SAS is the provider of large-scale data analysis applications. Tuesday, SAS said that the latest containerized version of Viya is immediately available for Azure and supports other cloud platforms, such as AWS, Google Cloud Platform and Red Hat OpenShift. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/business-analytics-market-6698 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure 3Market Research Methodology 3.1Research Process 3.2Secondary Research 3.3Primary Research 3.4Forecast Model Continued…. Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/physical-examination/pages/15.html
～腹部の身体診察法～ Inspection The Skin Note scars, striae, dilated veins, rashes and lesions, the umbilicus, the contour of the abdomen, peristalsis, and pulsations. Auscultation Bowel sounds Increased = diarrhea,early intestinal obstruction Decreased, absent = adynamic ileus,peritonitis. Bruits Listen for bruits over the aorta, the iliac arteries, and the femoral arteries. Venous Hum soft humming noise with both systolic and diastolic components. It indicates increased collateral circulation between portal and systemic venous systems, as in hepatic cirrhosis. Friction Rubs rare. They are grating sounds with respiratory variation. They indicate inflammation of the peritoneal surface of an organ, as in liver cancer, chlamydial or gonococcal perihepatitis, recent liver biopsy, or splenic infarct. Percussion Palpation Percussion of the liver Measure the vertical span of liver dullness in the right midclavicular line. Palpation of the liver Place your left hand behind the patient, parallel to and supporting the right 11th and 12th ribs and adjacent soft tissues below. Percussion of the spleen Percuss the left lower anterior chest wall between lung resonance above and the costal margin, an area termed Traube s space. As you percuss along the routes suggested by the arrows in the following figures, note the lateral extent of tympany. Assessing percussion tenderness of the kidneys Pressure from your fingertips may be enough to elicit tenderness, but if not, use fist percussion. Place the ball of one hand in the costovertebral angle and strike it with the ulnar surface of your fist. Assessing the aorta Press firmly deep in the upper abdomen, slightly to the left of the midline, and identify the aortic pulsations, Assess the width of the aorta by pressing deeply in the upper abdomen with one hand on each side of the aorta. Important sign and findings!! Murphy’s sign @Acute Cholecystitis Hook your left thumb or the fingers of your right hand under the costal margin at the point where the lateral border of the rectus muscle intersects with the costal margin. Ask the patient to take a deep breath. Watch the patient’s breathing and note the degree of tenderness. Ascites 1.Ascitic fluid seeks the lowest point in the abdomen, producing bulging flanks that are dull to percussion. The umbilicus may protrude. Turn the patient onto one side to detect the shift in position of the fluid level (shifting dullness). 2.Test for a fluid wave Ask the patient or an assistant to press the edges of both hands firmly down the midline of the abdomen. This pressure helps to stop the transmission of a wave through fat. While you tap one flank sharply with your fingertips, feel on the opposite flank for an impulse transmitted through the fluid. Unfortunately, this sign is often negative until ascites is obvious, and it is sometimes positive in people without ascites. ☆Appendicitis 1.Rebound tenderness Rebound tenderness suggests peritoneal inflammation, if appendicitis. If other signs are typically positive, you can save the patient unnecessary pain by omitting this test. 2.Rovsing’s sign and referred rebound tenderness Press deeply and evenly in the left lower quadrant. Then quickly withdraw your fingers. Pain in the right lower quadrant during left-sided pressure suggests appendicitis (a positive Rovsing’s sign). So does right lower quadrant pain on quick withdrawal (referred rebound tenderness). 3.Psoas sign Place your hand just above the patient’s right knee and ask the patient to raise that thigh against your hand. Alternatively, ask the patient to turn onto the left side. Then extend the patient’s right leg at the hip. Flexion of the leg at the hip makes the psoas muscle contract; extension stretches it. Increased abdominal pain on either maneuver constitutes a positive psoas sign, suggesting irritation of the psoas muscle by an inflamed 4.Obturator sign Flex the patient’s right thigh at the hip, with the knee bent, and rotate the leg internally at the hip. This maneuver stretches the internal obturator muscle. Right hypogastric pain constitutes a positive obturator sign, suggesting irritation of the obturator muscle by an inflamed appendix. References Bates Guide to Physical Examination History Taking, 10th Edition. http //wonghongweng.blogspot.com/2008/03/gallstones.html http //intmed.exblog.jp/5914420/
https://w.atwiki.jp/touhoukashi/pages/6182.html
【登録タグ FELT Fortunes Gate S Vivienne オリエンタルダークフライト 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/oper/pages/2415.html
ATTO III Scena Prima (Reggia) MELANTO Eurimaco, la donna insomma ha un cor di sasso parola non la muove, priego invan la combatte. Dentro del mar d amore sempre tenace ha l alma o di fede o d orgoglio in ogni modo è scoglio. Nemica, o pur amante, non ha di cera il cor, ma di diamante. EURIMACO E pur udii sovente la poetica schiera cantar donna volubile e leggera. MELANTO Ho sparso invan parole, indarno prieghi per condur la regina a nuovi amori. L impresa è disperata odia, non che l amar, l essere amata. EURIMACO Peni chi brama, stenti chi vuol, goda fra l ombre chi ha in odio il sol. MELANTO Penelope trionfa nella doglia, nel pianto; fra piaceri e contenti vive lieta Melanto. Ella in pene si nutre, io fra diletti amando mi giocondo fra sì vari pensier più bello è il mondo. EURIMACO Godendo, ridendo, si lacera il duol. MELANTO Amiamo, godiamo, e dica chi vuol. Scena Seconda (Reggia) ANTINOO Sono l altre regine coronate di servi, e tu d amanti. Tributan questi regi al mar di tua bellezza un mar di pianti ANTINOO, PISANDRO, ANFIMONO Ama dunque, sì, sì, dunque riama un dì, un dì. PENELOPE (fra sè) Non voglio amar, no, no, ch amando penerò. ANTINOO, PISANDRO, ANFIMONO Ama dunque, sì, sì, Dunque riama un dì, un dì. PENELOPE (fra sè) Cari tanto mi sete quanto più ardenti ardete, ma non m appresso all amoroso gioco, che lungi è bel più che vicino il foco. Non voglio amar, no, no, ch amando penerò. PISANDRO La pampinosa vite, se non s abbraccia al faggio, l autun non frutta e non fiorisce il maggio. E se fiorir non resta, ogni mano la coglie, ogni piè la calpesta. ANFIMONO Il bel cedro odoroso vive, se non s incalma, senza frutto spinoso; ma se s innesta poi figliano frutti e fior gli spini suoi. ANTINOO L edera che verdeggia, ad onta anco del verno, d un bel smeraldo eterno, se non s appoggia, perde fra l erbose rovine il suo bel verde. ANTINOO, PISANDRO, ANFIMONO, CORO Ama dunque, sì, sì, dunque riama un dì, un dì! PENELOPE Non voglio amar, non voglio! Come sta in dubbio un ferro se fra due calamite da due parti diverse egli è chiamato, così sta in forse il core nel tripartito amore. Ma non può amar chi non sa, chi non può che piangere e penar. Mestizia e dolor son crudeli nemici d amor. ANFIMONO, PISANDRO, ANTINOO, CORO All allegrezze dunque. al ballo, al canto! Rallegriam la regina lieto cor ad amar tosto s inchina! Scena Terza (Ballo) CORO Dame in amor belle e gentil, amate allor che ride April. Non giunge al sen gioia o piacer, se tocca il crin l età senil! Dunque al gioir, liete al goder, dunque al gioir, liete al goder! Dame in amor belle e gentil, vaga nel spin la rosa sta, ma non nel gel bella è beltà, perde il splendor torbido ciel Ciglio in rigor non è più bel, Scena Quarta EUMETE Apportator d alte novelle vengo. È giunto, o gran regina, Telemaco, tuo figlio, e forse non fia vana le speme ch io t arreco. Ulisse, il nostro rege, il tuo consorte è vivo. E speriam non lontano il suo bramato arrivo! PENELOPE Per si dubbie novelle o s addoppia il mio male o si cangia il tenor delle mie stelle. Scena Quinta ANTINOO Compagni, udiste? Il nostro vicin rischio mortale, vi chiama a grandi e risolute imprese. Telemaco ritorna, e forse Ulisse. Questa reggia, da noi violata e offesa dal suo signor aspetta, tarda, bensì, ma prossima vendetta. Chi d oltraggiar fu ardito neghittoso non resti in compir il delitto. In sin ad ora fu il peccato dolcezza, ora il nostro peccar fia sicurezza, ché lo sperar favori è gran pazzia da chi s offese pria. ANFIMONO, PISANDRO Ne han fatto l opre nostre inimici d Ulisse. L oltraggiar l inimico unqua disdisse. ANTINOO Dunque l ardir s accresca, e pria ch Ulisse arrivi, Telemaco vicin togliam dai vivi! ANFIMONO, PISANDRO, ANTINOO Si, si, de grandi amori, sono figli i gran sdegni. Quel fere i cori e quest abbate i regni! (Qui vola sopra il capo dei Prodi un aquila.) EURIMACO Chi dall alto n ascolta or ne risponde, amici mute lingue del Ciel sono gli auspici. Mirate, ohimé, mirate del gran Giove l augello. Ne predice rovine, ne promette flagello! Muova al delitto il piede chi giusto il Ciel crede. PISANDRO, ANFIMONO, ANTINOO Crediam al minacciar del ciel irato, che chi non teme il cielo, raddoppia il suo peccato! ANTINOO Dunque, prima che giunga il filiale soccorso, per abbatter quel core facciam ai doni almen grato ricorso, perché ha la punta d or la stral d Amore. EURIMACO L oro sol, l oro sia l amorosa magia. Ogni cor femminil se fosse pietra, tocco dell or si spetra. ANFIMONO, PISANDRO, ANTINOO Amor è un armonia, sono canti i sospiri, ma non si canta ben se l or non suona non ama chi non dona. Scena Sesta (Boscareccia) ULISSE Perir non può chi tien per scorta il Cielo, chi ha per compagno ha un Dio. A grand imprese, è ver, volto son io, ma fu peccato grave chi, difeso dal Ciel, il mondo pave. MINERVA O coraggioso Ulisse, io farò che proponga la tua casta consorte gioco che a te fia gloria e sicurezza e vittoria, e a Proci morte. Allor, che l arco tuo ti giunge in mano e strepitoso suon fiero t invita. Saetta pur, che la tua destra ardita tutti conficcherà gli estinti al piano. Io starò teco e con celeste lampo atterrerò l umanità soggetta cadran vittime tutti alla vendetta, ché i flagelli del Ciel non hanno scampo! ULISSE Sempre è cieco il mortale, ma all or si dee più cieco ch il precetto divin devoto osserva. Io ti seguo, Minerva. Scena Settima EUMETE Io vidi, o pellegrin, de Proci amanti l ardir infermarsi, l ardore gelar, negli occhi tremanti il cor palpitar; il nome sol d Ulisse quest alme ree trafisse. ULISSE Godo anch io, né so come, rido, né so perché, rido, rido, né so perché! Tutto gioisco, ringiovanisco ben lieto affè! EUMETE Tosto ch avrem con povera sostanza i corpi invigoriti, andiam veloci. Vedrai di quei feroci, fieri i costumi, i gesti impudenti, inonesti. ULISSE Non vive eterna l arroganza in terra la superbia mortal tosto s abbatte, che il fulmine del Ciel gli Olimpi atterra! ATTO III Scena Prima (Reggia) MELANTO Eurimaco, la donna insomma ha un cor di sasso parola non la muove, priego invan la combatte. Dentro del mar d amore sempre tenace ha l alma o di fede o d orgoglio in ogni modo è scoglio. Nemica, o pur amante, non ha di cera il cor, ma di diamante. EURIMACO E pur udii sovente la poetica schiera cantar donna volubile e leggera. MELANTO Ho sparso invan parole, indarno prieghi per condur la regina a nuovi amori. L impresa è disperata odia, non che l amar, l essere amata. EURIMACO Peni chi brama, stenti chi vuol, goda fra l ombre chi ha in odio il sol. MELANTO Penelope trionfa nella doglia, nel pianto; fra piaceri e contenti vive lieta Melanto. Ella in pene si nutre, io fra diletti amando mi giocondo fra sì vari pensier più bello è il mondo. EURIMACO Godendo, ridendo, si lacera il duol. MELANTO Amiamo, godiamo, e dica chi vuol. Scena Seconda (Reggia) ANTINOO Sono l altre regine coronate di servi, e tu d amanti. Tributan questi regi al mar di tua bellezza un mar di pianti ANTINOO, PISANDRO, ANFIMONO Ama dunque, sì, sì, dunque riama un dì, un dì. PENELOPE (fra sè) Non voglio amar, no, no, ch amando penerò. ANTINOO, PISANDRO, ANFIMONO Ama dunque, sì, sì, Dunque riama un dì, un dì. PENELOPE (fra sè) Cari tanto mi sete quanto più ardenti ardete, ma non m appresso all amoroso gioco, che lungi è bel più che vicino il foco. Non voglio amar, no, no, ch amando penerò. PISANDRO La pampinosa vite, se non s abbraccia al faggio, l autun non frutta e non fiorisce il maggio. E se fiorir non resta, ogni mano la coglie, ogni piè la calpesta. ANFIMONO Il bel cedro odoroso vive, se non s incalma, senza frutto spinoso; ma se s innesta poi figliano frutti e fior gli spini suoi. ANTINOO L edera che verdeggia, ad onta anco del verno, d un bel smeraldo eterno, se non s appoggia, perde fra l erbose rovine il suo bel verde. ANTINOO, PISANDRO, ANFIMONO, CORO Ama dunque, sì, sì, dunque riama un dì, un dì! PENELOPE Non voglio amar, non voglio! Come sta in dubbio un ferro se fra due calamite da due parti diverse egli è chiamato, così sta in forse il core nel tripartito amore. Ma non può amar chi non sa, chi non può che piangere e penar. Mestizia e dolor son crudeli nemici d amor. ANFIMONO, PISANDRO, ANTINOO, CORO All allegrezze dunque. al ballo, al canto! Rallegriam la regina lieto cor ad amar tosto s inchina! Scena Terza (Ballo) CORO Dame in amor belle e gentil, amate allor che ride April. Non giunge al sen gioia o piacer, se tocca il crin l età senil! Dunque al gioir, liete al goder, dunque al gioir, liete al goder! Dame in amor belle e gentil, vaga nel spin la rosa sta, ma non nel gel bella è beltà, perde il splendor torbido ciel Ciglio in rigor non è più bel, Scena Quarta EUMETE Apportator d alte novelle vengo. È giunto, o gran regina, Telemaco, tuo figlio, e forse non fia vana le speme ch io t arreco. Ulisse, il nostro rege, il tuo consorte è vivo. E speriam non lontano il suo bramato arrivo! PENELOPE Per si dubbie novelle o s addoppia il mio male o si cangia il tenor delle mie stelle. Scena Quinta ANTINOO Compagni, udiste? Il nostro vicin rischio mortale, vi chiama a grandi e risolute imprese. Telemaco ritorna, e forse Ulisse. Questa reggia, da noi violata e offesa dal suo signor aspetta, tarda, bensì, ma prossima vendetta. Chi d oltraggiar fu ardito neghittoso non resti in compir il delitto. In sin ad ora fu il peccato dolcezza, ora il nostro peccar fia sicurezza, ché lo sperar favori è gran pazzia da chi s offese pria. ANFIMONO, PISANDRO Ne han fatto l opre nostre inimici d Ulisse. L oltraggiar l inimico unqua disdisse. ANTINOO Dunque l ardir s accresca, e pria ch Ulisse arrivi, Telemaco vicin togliam dai vivi! ANFIMONO, PISANDRO, ANTINOO Si, si, de grandi amori, sono figli i gran sdegni. Quel fere i cori e quest abbate i regni! (Qui vola sopra il capo dei Prodi un aquila.) EURIMACO Chi dall alto n ascolta or ne risponde, amici mute lingue del Ciel sono gli auspici. Mirate, ohimé, mirate del gran Giove l augello. Ne predice rovine, ne promette flagello! Muova al delitto il piede chi giusto il Ciel crede. PISANDRO, ANFIMONO, ANTINOO Crediam al minacciar del ciel irato, che chi non teme il cielo, raddoppia il suo peccato! ANTINOO Dunque, prima che giunga il filiale soccorso, per abbatter quel core facciam ai doni almen grato ricorso, perché ha la punta d or la stral d Amore. EURIMACO L oro sol, l oro sia l amorosa magia. Ogni cor femminil se fosse pietra, tocco dell or si spetra. ANFIMONO, PISANDRO, ANTINOO Amor è un armonia, sono canti i sospiri, ma non si canta ben se l or non suona non ama chi non dona. Scena Sesta (Boscareccia) ULISSE Perir non può chi tien per scorta il Cielo, chi ha per compagno ha un Dio. A grand imprese, è ver, volto son io, ma fu peccato grave chi, difeso dal Ciel, il mondo pave. MINERVA O coraggioso Ulisse, io farò che proponga la tua casta consorte gioco che a te fia gloria e sicurezza e vittoria, e a Proci morte. Allor, che l arco tuo ti giunge in mano e strepitoso suon fiero t invita. Saetta pur, che la tua destra ardita tutti conficcherà gli estinti al piano. Io starò teco e con celeste lampo atterrerò l umanità soggetta cadran vittime tutti alla vendetta, ché i flagelli del Ciel non hanno scampo! ULISSE Sempre è cieco il mortale, ma all or si dee più cieco ch il precetto divin devoto osserva. Io ti seguo, Minerva. Scena Settima EUMETE Io vidi, o pellegrin, de Proci amanti l ardir infermarsi, l ardore gelar, negli occhi tremanti il cor palpitar; il nome sol d Ulisse quest alme ree trafisse. ULISSE Godo anch io, né so come, rido, né so perché, rido, rido, né so perché! Tutto gioisco, ringiovanisco ben lieto affè! EUMETE Tosto ch avrem con povera sostanza i corpi invigoriti, andiam veloci. Vedrai di quei feroci, fieri i costumi, i gesti impudenti, inonesti. ULISSE Non vive eterna l arroganza in terra la superbia mortal tosto s abbatte, che il fulmine del Ciel gli Olimpi atterra! Monteverdi,Claudio/Il ritorno d Ulisse in patria/IV